Mesopotamia/Sumerian Ziggurat- a raised temple platform social hierarchy -> closer & higher to top & holy chamber; determined where you fit on the social hierarchy
"Donatello, Gattamelata, Padova c. Inspired by the Marcus Aurelius but not a direct imitation. The idea was not to imitate the ancients, but to surpass them. This was the first equestrian statue since Classical Antiquity." "Donatello, Gattamelata Equestrian Monument, 1453"
"Condottieri and the Great Equestrian Statues and Paintings of Renaissance Italy" "The Equestrian Statue of Gattamelata by Donatello Piazza del Santo, Padua, Italy, It is the earliest surviving Renaissance equestrian statue and the first to reintroduce the grandeur of Classical equestrian portraiture."
Such a project was unprecedented – indeed, scandalous – for since the days of the Roman Empire bronze equestrian monuments had been the sole prerogative of rulers. The execution of the monument was plagued by delays. Donatello did most of the work between 1447 and 1450, yet the statue was not placed on its pedestal until 1453.
Another grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the "head", showing just that, or the bust, a representation of a person from the chest up.
The challenge for sculptors in the early Renaissance was to transcend such gigantic inanimate toys and to revive the lifelike bronze equestrian art of antiquity. Florence cheated when it came to raising an equestrian monument to the fourteenth-century mercenary commander John Hawkwood.
Donatello was fifty-seven when he left Florence in 1443 to spend ten eventful years at Padua. There he carried out his masterpieces of bronze for the Cathedral and the equestrian statue of Gattamelata on the Piazza opposite Donatello's little house, which to this day is occupied, appropriately enough, by a carver—Bortolo Slaviero …
Gattamelata or The Honeyed Cat–> Identify this equestrian statue of the Italian mercenary and former dictator of Padua Erasmo di Nami, more commonly known by a nickname derived from the name of his mother; leads to the statue's subject, Erasmo di Nami
The intervening years had seen Ghiberti's early assistant Donatello develop with seminal statues including his Davids in marble (1408–09) and bronze (1440s), and his Equestrian statue of Gattamelata, as well as reliefs. [70]
Another grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the "head", showing just that, or the bust, a representation of a person from the chest up.
Another grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the "head", showing just that, or the bust, a representation of a person from the chest up.
Gattamelata or The Honeyed Cat–> Identify this equestrian statue of the Italian mercenary and former dictator of Padua Erasmo di Nami, more commonly known by a nickname derived from the name of his mother; leads to the statue's subject, Erasmo di Nami
Donatello was fifty-seven when he left Florence in 1443 to spend ten eventful years at Padua. There he carried out his masterpieces of bronze for the Cathedral and the equestrian statue of Gattamelata on the Piazza opposite Donatello's little house, which to this day is occupied, appropriately enough, by a carver—Bortolo Slaviero …
Building on his use of fine art to illustrate his principles of placemaking, Sitte also examines the siting of Padua’s Equestrian Statue of Gattamelata, a large bronze sculpture by Donatello …
Another grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the "head", showing just that, or the bust, a representation of a person from the chest up.
Building on his use of fine art to illustrate his principles of placemaking, Sitte also examines the siting of Padua’s Equestrian Statue of Gattamelata, a large bronze sculpture by Donatello …
On the place which adjoins the cathedral, a beautiful equestrian statue by Donatello, in bronze, rises to view, the first which had been cast since the days of antiquity, representing a leader of banditti: Gattamelata, a brigand who surely did not deserve that honor.
grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the “head”, showing just that, or the bust, a representation of a person from the chest up. Small forms of sculpture
Another grand form of portrait sculpture is the equestrian statue of a rider on horse, which has become rare in recent decades. The smallest forms of life-size portrait sculpture are the "head", showing just that, or the bust, a representation of a person from the chest up.
It can be carved.1/25/2017 Sculpture Wikipedia Bronze and related copper alloys are the oldest and still the most popular metals for cast metal sculptures; a cast bronze sculpture is often called simply a "bronze".[13] the Song dynasty 960–1279.
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