DONATELLO'S GATTAMELATA 841 Donatello's equestrian monument, which was finished long before the actual tomb, bears his own signature (OPUS DONATELLI. FLO.), and had two important memorial inscriptions associated with its creation and dedication. These two inscriptions are germane to the argument presented here.
The imposing bronze equestrian statue of the Paduan condottiere Erasmo da Narni (ca. 1370-1443), the "Gattamelata" (speckled cat) who led Venetian forces to victory in the Milanese wars, stands on a high pedestal before the Basilica of Sant'Antonio.
(Gattamelata was a mercenary general, who was fairly successful. ) In this work, he is dressed as a Roman general. This work is reminiscent of the statues of Marcus Aurelius. The making of this piece is truly remarkable, because there is a lot of bronze present.
A bronze Equestrian group of Louis XIV, after a model by Martin van den Bogaert, called Desjardins (1637-1694), Brownish green patina with traces of black lacquer This equestrian group of Louis XIV on horseback is indeed one of the most popular of the King.
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The Tomb of Antipope John XXIII is the marble and bronze tomb monument of Antipope John XXIII (Baldassare Cossa, c. created by Donatello and Michelozzo for the Florence Baptistry adjacent to the Duomo.
Gattamelata (Renaissance Italy) -By Donatello -Significant because it is an equestrian monument for someone who is not an emperor -This is the idea that we can all attain wealth and power, and power that is expressed through art
revival of the ancient Roman equestrian monument. From 1447-53 he created the magnificent bronze monument to Erasmo da Narni, known as Gattamelata, a deceased captain-general of the Venetian army (fig.18). Echoing the famous Marcus Aurelius statue in Rome, Donatello?s Gattamelata is the earliest surviving equestrian statue from the Renaissance …
Gattamelata is an equestrian statue of Venetian condottiere Erasmo da Narni. Donatello sculpted the work in 1453 [ 1 ] during the Renaissance in Italy, both reviving the grandeur of Classical-era portraiture and incorporating the realism, humanism, and individualism of the Renaissance .
Luckily, however, an early fourteenth-century report by the Colonna (Zevi 1979, 4) makes it clear that another prestigious monument, the temple sanctuary of Fortuna Primigenia at Palestrina, retained much of its upper structures up to 1298 -when the papal troops sacked Palestrina.
Luckily, however, an early fourteenth-century report by the Colonna (Zevi 1979, 4) makes it clear that another prestigious monument, the temple sanctuary of Fortuna Primigenia at Palestrina, retained much of its upper structures up to 1298 -when the papal troops sacked Palestrina.
monument exemplified by Donatello’s Gattamelata, which depict a man riding a steed. ANSWER: equestrian monuments [accept logical equivalents, like statues of people on horseback , etc.; prompt on statue s, monument s, or sculpture s]
On the place which adjoins the cathedral, a beautiful equestrian statue by Donatello, in bronze, rises to view, the first which had been cast since the days of antiquity, representing a leader of banditti: Gattamelata, a brigand who surely did not deserve that honor.
his coat of arms could be ropes instead of three, implying that perhaps the father Gattamelata . of the work. Famous not only for his military exploits for the equestrian statue in bronze made by Donatello was commissioned by the widow. Giacoma Bocarini Brunori, originally from . Lioness, and currently. the Basilica in Padova the Holy.
THE SCULPTURE OF DONATELLO 1 … EQUESTRIAN MONUMENT OF GATTAMELATA. Padua ANTONIO. … in the painters' guild in 1412 as a "gold'^ as a whole. they resemble the …
The horse is (as Renaissance masters realized) a masterpiece, but we have no idea who the sculptor was, though his statue is as great as the equestrian Gattamelata by Donatello or the equestrian Colleoni by Verrocchio in the 15th century.
Art/Art History- This year you will study art during the Middle Ages or Dark Ages and one of the greatest periods of art, the Renaissance. Enjoy it. Make sure your teacher takes you to the nearest art museum if at all possible.
The ceremony being ended, twelve great banquets were held, at each of which one of the Marie was present, clad in cloth of gold adorned with jewels and pearls innumerable, and wearing a crown of gold set with precious stones.
( the bronze doors for the Cathedral and a marble statue of Paolo ). the small marble prophet Mandorla ordered by the Florence Cathedral workshop in 1406 and paid for in 1408. the growth of the "Donatello legend. "as a guide for the large figures that will be made for the buttresses of the Cathedral" xii (cf.
Giotto(1266~1337) , Brunellesco(1377~1446), Donatello(1386~1466), Massacio(1401~1428), Botticelli(1444~1510) | See more ideas about Italian renaissance, Renaissance paintings and Italian painters.
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