For example, in Gettysburg, the statue of James Longstreet features his horse with one foot raised, even though Longstreet was not wounded in battle. Even the most cursory look at the statues around Washington, D.C. quickly disproves that the hoof code at all holds sway in that locale.
The monument to general Jose Gervasio Artigas in Minas, Uruguay (18 meters tall, 9 meters long, 150,000 kg) was the world's largest equestrian statue until 2009. The current largest is the 40 meters tall Genghis Khan Equestrian Statue at Tsonjin Boldog, 54 km from Ulaanbaatar, Mongolia, the legendary location where Genghis Khan found the golden whip.
Consider the passionate temperament of artists, this would mean that artists the world over would need to have met, discussed & agreed on such an rule. The Lore Itself. The idea is that equestrian statues follow a code which signifies how the rider fared in battle by how many of their mount’s feet are raised from the ground.
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On a statue of a horse and rider, the number of legs in the air reveals information about how the rider died: both legs in the air means they died during a battle, one leg in the air means they died later of wounds inflicted during a battle. All legs on the ground and they died unconnected to any battles they might have been in.
For instance, Marcus Aurelius died of natural causes, though his horse was cast with a leg up in the air. Another example is the equestrian statue of Andrew Jackson, the 7 th President of the United States, in Washington. Whilst Jackson too died of natural causes, his horse has two legs raised in the air.
At Sheridan Road and Belmont Avenue, the statue of [General] Sheridan beckons troops to battle. The horse General Sheridan rides is named Winchester… Winchester’s raised leg symbolizes his rider was wounded in battle (the legs of [General] Grant’s horse are on the ground, meaning he was not wounded).
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