(Gattamelata was a mercenary general, who was fairly successful. ) In this work, he is dressed as a Roman general. This work is reminiscent of the statues of Marcus Aurelius. The making of this piece is truly remarkable, because there is a lot of bronze present.
A bronze Equestrian group of Louis XIV, after a model by Martin van den Bogaert, called Desjardins (1637-1694), Brownish green patina with traces of black lacquer This equestrian group of Louis XIV on horseback is indeed one of the most popular of the King.
Andrea del Verrocchio, Equestrian Statue of Colleoni (detail) 1481/ 1495 Gilded bronze Campo di Santi Giovanni e Paolo, Venice
Equestrian statue of Marcus Aurelius made a number of influence over the coming centuries. (blank)adopted the statue to glorify his Holy Roman Empire. In the 15th A.D (blank) and (blank) borrowed statue's forms in their monuments to mercenary soldiers Gattamelata and Colleoni. 16th (blank) moved it to the Piazza del Campidoglio Rome in the …
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Influential on Renaissance art – Donatello’s Equestrian Statue of Gattamelata and Verrocchio’s Equestrian Statue of Colleoni – Donatello spent time in Rome and would have seen the Equestrian Statue of Marcus Aurelius.
The Monument to the Tsar Liberator (Bulgarian: Паметник на Цар Освободител, Pametnik na Tsar Osvoboditel) is an equestrian monument in the centre of Sofia, the capital of Bulgaria.
When Gattamelata died in 1442 the Republic of Venice commissioned a monument to his memory to be erected in the Piazza del Santo in his native Padua. Because he was busy with other commissions and because he was undertaking the first equestrian statue since the days of imperial Rome, Donatello took 10 years to complete this project.
Caste in bronze. Influential on Renaissance art – Donatello’s Equestrian Statue of Gattamelata – Donatello spent time in Rome and would have seen Marcus Aurelius. Also Verrocchio’s Equestrian Statue of Colleoni. BATHS OF CARACALLA. Caracalla was a famous Soldier-Emperor – unstable time in Late Roman Empire
Bronze is the most popular metal for cast metal sculptures; a cast bronze sculpture is often called simply a "bronze". Common bronze alloys have the unusual and desirable property of expanding slightly just before they set, thus filling the finest details of a mold.
The horse is almost bursting with the solid power of a modern armored tank and yet is the embodiment of all the gentle grace and rhythmic movement associated with horses on parade. Gattamelata is erect and calm with the untroubled poise of a conqueror.
Caste in bronze. Influential on Renaissance art – Donatello’s Equestrian Statue of Gattamelata – Donatello spent time in Rome and would have seen Marcus Aurelius. Also Verrocchio’s Equestrian Statue of Colleoni. BATHS OF CARACALLA. Caracalla was a famous Soldier-Emperor – unstable time in Late Roman Empire
Equestrian statue of Gattamelata The Equestrian Statue of Gattamelata is sculpture by Italian early Renaissance artist Donatello, dating from 1453, located in the Piazza del Santo in Padua, Italy, today.
Bronze is the most popular metal for cast metal sculptures; a cast bronze sculpture is often called simply a "bronze". Common bronze alloys have the unusual and desirable property of expanding slightly just before they set, thus filling the finest details of a mold.
The oil is a white solid substance at ordinary temperatures, with a peculiar, rather disagreeable odour, from the volatile fatty acids it contains, and a mild taste. Under pressure it separates into a liquid and a solid portion, the latter, coco-stearin, being extensively used in the manufacture of candles.
Equestrian Monument of Erasmo Narni (Gattamelata) 1447-1453 Piazza del Santo Padua, Italy 1445-1453 Bronze Based off of Venetian general on equestrian status of ancient roman emperors.
Equestrian statue of Gattamelata topic. The Equestrian Statue of Gattamelata is a sculpture by Italian early Renaissance artist Donatello , dating from 1453, located in the Piazza del Santo in Padua, Italy , today.
The bronze “Christ's Column” is a modest prophecy of the monumental spirit that would distinguish the sculptural decoration of the new monastic buildings rising in much of western Europe. Developed in the abbey doorways and on the pillars and capitals of cloisters, where the sculptor had to learn anew the technique of stone carving and of …
Paolo Uccello (Italian pronunciation: ; 1397 – 10 December 1475), born Paolo di Dono, was an Italian painter and mathematician who was notable for his pioneering work on visual perspective in art.
Donatello: Equestrian Monument of Erasmo da Narni, called Gattamelata ("honeyed cat"), 1445–50. Bronze, originally with gilded details; height 12' 2". Piazza del Santo, Padua.
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